New Boston Historical Society
New Boston, New Hampshire

Reverend John Atwood and his Family
"Reverend John Atwood and his Family" portrait by Henry Darby at the MFA

Reverend John Atwood and his Family
How a famous painting went from New Boston to old Boston

The Museum of Fine Arts in Boston, Massachusetts has in its collection a portrait, "Reverend John Atwood and his Family," painted in 1845 by Henry F. Darby. The portrait hung in the Atwood home on High Street in New Boston for over a hundred years before it was acquired by the MFA.

The MFA website has a good description of the portrait, although they added one year to the age of the artist. Henry F. Darby was only sixteen years old in 1845 when he made his painting of the Atwood family. He was a guest of the Atwoods for three months in their home on Green Street in Concord, and he was paid fifty dollars for the life-size group portrait.

Reverend John Atwood
Reverend John Atwood (1795-1873) - undated photo

Who was Reverend John Atwood? He was born in 1795 in Nottingham West, which was the old name for Hudson, New Hampshire. Atwood was ordained a Baptist minister in New Boston in 1825, and he married Lydia Dodge of New Boston the following year. In 1843 John, Lydia, and their six children moved to Concord, NH, when Atwood was elected State Treasurer. He also served as chaplain to the State Prison.

Reverend John Atwood's home
New Boston home built by Rev. Atwood - now the Daniels home at the top of High Street

John Atwood was nominated by the Democratic Party to run for the office of Governor in 1850. However, he ran as an Independent due to his disagreement with the Democrats' pro-slavery platform. When he was defeated, Atwood moved with his family back to New Boston, where he died in 1873 at the age of 77.

Reverend John Atwood and his Family

The six children in the Atwood painting are, from left to right, Solomon Dodge Atwood (1839-1915), Mary Frances Atwood (1837-1892), behind them Ann Judson Atwood (1835-1874) [later the wife of Rev. Joseph Fish], Sarah Elizabeth Atwood (1829-1916) [later Mrs. John Blair], Lydia Dodge Atwood (1827-1909) and Roger Williams Atwood (1833-1917).

The pictures on the wall of the Atwood parlor are an engraving, "Samson Carrying off the Gates of Gaza," and a painting of a gravestone inscribed "John" in memory of an infant son of the Atwoods who died in 1832. (Visit the MFA website for a higher-resolution image.)

An article by Inge Hacker in Volume LXI of the Museum of Fine Arts Bulletin (1963) contains a detailed description of the portrait and a biography of the artist, Henry Darby (1829-1897) of North Adams, MA. When Darby was thirteen, he watched a itinerant portrait painter at work and then attempted his own portrait under the painter's supervision. The following year Darby was invited to paint another family's portrait, a commission for which he was paid. He later wrote, "My first professional adventure was not attended with any disaster." Henry Darby painted portraits for about fifteen years, then he became an Episcopal minister.

Do you see the boy on the footstool in the lower-left corner of the portrait? Of the six children of John and Lydia Atwood who survived infancy, Solomon Dodge Atwood is the most well-known in New Boston. As an adult, Solomon was for many years a prominent storekeeper and postmaster in our town. In 1864 he married Florence Adelaide Dodge (1841-1929) of Francestown, and they had nine children, six girls and three boys. One of their daughters, Myrtie Mae Atwood, took many fine photographs of the family and of New Boston in the 1890s. You may see some of her photos on our Glass Negatives page.

AnnieAtwood1890
Myrtie's 1890 photo of her 18-year-old schoolteacher sister Annie (left)

Atwood footstool
The footstool in the 1845 painting is still in the family's possession.

A descendant of another of Solomon's daughters, Emily Atwood, still has the footstool upon which Solomon and his sister are sitting in the Darby portrait. Two younger Atwood daughters, Annie and Florence, chose not to marry, and it was these two sisters who sold the painting to the MFA.

envelope

Annie Atwood's correspondence with the Museum of Fine Arts

David Woodbury, the Historical Society president, spoke about "The Atwood Family of New Boston" in July of 2025. While preparing his presentation, David found in the museum files several typed letters from the MFA to Miss Annie Atwood of New Boston, dated 1959-1962. It seemed that Annie and Florence, who were 87 and 85 in 1959, wanted to find a good home for the portrait of Reverend John Atwood and his family.

The Historical Society did not have copies of the handwritten letters that Annie wrote to the MFA, so we contacted the Boston museum to see if they could provide the other half of the correspondence. Carly Bieterman of the MFA had all the Atwood letters scanned and sent to us — we are grateful for her assistance!

1st letter

Click here to read the correspondence between Annie Atwood and the MFA. To summarize the thirty-four letters: in 1959 Annie wrote to the MFA to offer the Darby portrait. Thomas Maytham, the 28-year-old Assistant of the Department of Paintings, replied that the MFA already had something similar in their collection; however he would look at a photo of the painting if she had one. Annie borrowed a photo of the portrait from her sister Ruby in Illinois and sent it to Thomas with a self-addressed envelope so he'd return it.

The photo piqued Thomas's interest. He drove sixty miles to New Boston to see the painting for himself, then asked if he could have the portrait taken to the MFA, where it could be viewed in better light. The painting is eight feet wide and six feet tall, therefore the museum needed to rent a truck and ladders, at a cost of thirty dollars. The canvas was slightly damaged when it was removed, but it was restored by the MFA. In early 1961 Thomas Maytham arranged for a museum benefactor, Maxim Karolik, to purchase the Atwood portrait for the MFA for $2,000. The painting is now displayed in the museum's Linde Gallery.

ProspectCottage
Solomon Atwood's home at the top of High Street, where Annie and Florence lived with the Atwood portrait

MFA
The Atwood portrait in the MFA, with one of my daughters for scale — Dan R. 2025